From the Preface: "This second part of "Les Origines de la France Contemporaine" will consist of two volumes. - Popular insurrections and the laws of the Constituent Assembly end in destroying all government in France; this forms the subject of the present volume. - A party arises around an extreme doctrine, grabs control of the government, and rules in conformity with its doctrine. This will form the subject of the second volume. A third volume would be required to criticize and evaluate the source material. I lack the necessary space: I merely state the rule that I have observed. The trustworthiest testimony will always be that of an eyewitness, especially * When this witness is an honorable, attentive, and intelligentman, * When he is writing on the spot, at the moment, and under thedictate of the facts themselves, * When it is obvious that his sole object is to preserve or furnishinformation, * When his work instead of a piece of polemics planned for theneeds of a cause, or a passage of eloquence arranged for popular effect is a legal deposition, a secret report, a confidential dispatch, a private letter, or a personal memento. The nearer a document approaches this type, the more it merits confidence, and supplies superior material. -I have found many of this kind in the national archives, principally in the manuscript correspondence of ministers, intendants, sub-delegates, magistrates, and other functionaries; of military commanders, officers in the army, and gendarmerie; of royal commissioners, and of the Assembly; of administrators of departments, districts, and municipalities, besides persons in private life who address the King, the National Assembly, or the ministry. Among these are men of every rank, profession, education, and party. They are distributed by hundreds and thousands over the whole surface of the territory. They write apart, without being able to consult each other, and without even knowing each other. No one is so well placed for collecting and transmitting accurate information. None of them seek literary effect, or even imagine that what they write will ever be published."