Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER III METRE ELEMENTS OF VERSE RHYTHM. The simplest metrical unit is the syllable; the next higher unit is the foot, a group of syllables; the next higher unit the line, a group of feet; then the stanza or strophe. In some prosodies — as the French and Italian, for example — the standard unit of verse is the syllable. The first essential of a line is that it have a certain number of syllables; the accents or stresses may, theoretically at least, fall anywhere in the line. In English verse also the syllable has sometimes been regarded as the unit, but for the most part only by a few poets and prosodists of the late sixteenth, the seventeenth, and eighteenth centuries. The foot corresponds in English verse to what has been described in Chapter I as the rhythmic unit of all rhythms, namely that which recurs in regular sequence. It comprises, therefore, a point of emphasis and all that occupies the time-distance between that point of emphasis and the following one. In other words, a foot is a section of speech-rhythm containing a stressed element and an unstressed element, usually one or two unaccented syllables. So much is clear and undisputed in theory. But there are few single topics on which writers on English prosody are so much at variance ason the further, more accurate definition of the foot. One of the main sources of difficulty, however, is easily removed. The metrical foot is not a natural division of language, like the word or the phrase, but an arbitrary division, like the bar in music, an abstraction having no existence independent of the larger rhythm of which it is a part. The analogy between the metrical foot and the musical bar is very close: they are both artificial sections of rhythm which either in whole or in part may be grouped into such phrases...